My Book Baby
I never dreamed of being a writer, but I have always been one. I “journaled” for many years. Back then I called them diaries and included graphic drawings, a pressed daffodil, retrieved from our front yard after a tornado, and a desiccated silverfish that squeezed between the pages and died amid the purples and pinks of my colored pens. As an adult, I took creative writing classes, read, and read some more. My first novel started as a short story and developed into my second child. Members of my small writer’s workshop told me my main character, an eight year old boy who experienced life with a perspective enhanced by circumstance, not age, needed to tell his story in a bigger world.
Any parent knows it is a job that requires twenty-four seven vigilance. It was no different with my book baby. I suffered sleepless nights when the boy wouldn’t leave me alone. I’d awaken and see him squinty-faced in overalls, a single ray of sunshine lighting his presence at the side of my bed. He never spoke, but I heard him. Somehow he communicated what part of his story I needed to tell next. I sat for hours at the computer and created scenes where my character grew. I submitted chapters to workshops and cried when I had to excise parts to make the exposition tighter. I eliminated unnecessary, beautiful words, the kind that roll over your tongue and come out a physical sensation. I agonized over the constructive criticism of a professional editor. When I finished the rewrite, I felt satisfied, almost ready to call myself “author.” Think again. In a talk about creativity and art, Phillip Glass said he didn’t feel his music was complete until it had been heard. I understood. I wanted my child to be seen and read.
The second part of the author’s journey began. I was ready for anything with one limitation: I wanted my book in print before I turned sixty-three.
In the course of my writing education, I took classes from a community writing organization and a local university. The university instructors provided a glimpse of the publishing process: acquisition of an agent, sale of the book by an agent, purchasing of the book by an established house, and marketing, printing, and distribution driven by that house. Finding an agent seemed as important as finding the right babysitter. I needed someone I could trust with my book baby, who would nurture it, love it, and market it with care.
My parents raised me with the mantra: if you worked hard, you would succeed. For me it had been true. In competitive swimming, I practiced twice a day and secured a scholarship enabling me to go to an out of state university. In school I studied and graduated with honors. In my professional life, I secured every job for which I applied. After two years creating a life, I knew someone would want to publish my little boy’s story.
The university provided select authors an opportunity to go to New York and meet with agents of well-known publishing houses. I flew to this experience with high hopes, belief in the quality of my work, and not the faintest idea of how to sell myself. I blogged about Moneyball, the movie in which a GM takes a chance on questionable talent in MLB. I researched editors, rehearsed my synopsis and sell, and made myself sick from the stress. Silly me. For sixty years I depended on the reward-for-hard-work myth. A mandatory paradigm shift blind-sided me and rattled my confidence. Was I a worthy parent, a real writer?
Every agent but one was young enough to be my daughter. Generation shock. I stuttered and mumbled to relative novices at life how the story of a man who killed his wife, lost his son, and lived with the nightmares from a prolonged childhood hospitalization alluded to the story of Job. In ten minutes, I couldn’t make them love my boy-man. In New York I received one request for my full manuscript, one for a partial, and very cordial rejection e-mails. Living with rejection came with a huge BUT. But you haven’t read the whole thing.
Sylvia Plath said “The greatest enemy of creativity is self-doubt.” I taped her words to my computer.
I began the unsolicited submission process. I only sent to agents open to unsolicited material. The others: They didn’t know what they were missing. I started a folder of which agents I submitted to, what I sent, and if I got a response. Hand-written rejections were touted by instructors to be an exceptional compliment. So it’s better to be back-handed in cursive. Most came as form letters. My list of rejections grew. I became more skilled at matching agents with my genre, sharpening my synopsis, and mass producing packets of cover letters, the synopsis, and the first fifty pages of my manuscript. A sort of baby bundle. I took solace knowing the author of The Help received almost sixty rejections. Dr. Seuss garnered over four hundred. I juggled this second job between stretches of twelve hour shifts, strained my marriage, and gained thirty pounds. I thickened my skin to tolerate what felt like bullying and refused to let disappointment keep my child from taking its place in the world.
I never lost faith, but I chose a new approach: self-publishing. With my sixty-third birthday less than a year away, what did I have to lose but my husband, my sanity, and my health?
Self-publishing services amounted to a smorgasbord of choices. Another writer-friend had already self-published. She shared her experience; I followed her lead. I searched company web sites, publishing packages, and, of course, cost. Teasers came with every package. Until I began to shop, I didn’t realize I’d be a decision maker and marketer of my product. A career in professional nursing hardly prepared me for such an undertaking. The very nature of nursing mandates that people seek your service. I never had to sell myself. Even in a high stress area like critical care, all I had to do was appear at the bedside and be a consummate, compassionate, knowledgeable, decision-making professional. A piece of cake. I dedicated myself completely to my work, just as my parents had taught me.
I finally bought a mid-priced package. The company made the process remarkably pain free. From the beginning, contact people helped me format my manuscript to company standards, provided me with thorough editorial comment and recommendations, suggested reasonable time frames for task accomplishments, and updated me frequently about processes out of my hands. But I had the final say with my story, my baby.
I selected my book cover from a small pool of photographs. To my amazement, I found my boy in a symbolic pose of the quest I created. A shadow in the penumbra of a brilliant sun, my protagonist climbed a mountain representing his life of adversity. It was a picture I had found on the internet two years before I finished my first draft. It felt like a new life inside kicking for the first time. I took it as a sign.
A few days after selecting my cover, a package arrived in the mail while I was at work. My husband placed it on a shelf in the foyer. He thought it was just another book I had ordered. On my next day off, a representative from the company called and asked my opinion. “Of what?” I asked. With the phone in one hand, I found the package and opened it. My hands shook when I held the precious thing, not unlike the first time I held my son. I didn’t need to say anything to the rep. My voice spoke the language of joy. I allowed myself a half-scream. The rep laughed. I held my novel in its hard proof copy. Five years of work took tangible shape. All the files of chapters in their original and rewritten forms, all the on-line saved documents, all the time spent molding the world and characters of the novel came together. Despite the beautiful cover, the artistic design of chapter pages, and the presentation of the jacket biography, reality hit when I found the ISBN and Library of Congress numbers. Like a footprint on a birth certificate. I was a real author of a published novel.
I want my novel to be read by those who love the written word. It would be nice if it were a best seller. I have already cast the stars to play my protagonist in the different stages of his life on screen. I have received my invitation to the Oscars for which it received a “Best Screen Adaptation” nomination. In reality I deserve to celebrate my part in two accomplishments: the writing and the publishing. Creation. On this day that is more than enough: I just found out I sold my first book.