I am not a sommelier, but I do know what wines I like. I am not a movie critic. I have friends who critically analyze movies, their production, stories, costumes, and acting. Not me. Having said that, I do not take lightly writing about The Zone of Interest. It still haunts me. I read the novel by Martin Amis before watching the movie. Usually, books satisfy me more than the movie productions of them. Not so in this case. The opening scene portrayed a family outing. Men wore swimsuits like the one my dad wore when he took me to the local pool and taught me to swim. Women and children sat on blankets spread across the grass. A river lazed in the background. What it didn’t show, but what I knew from reading the book, was this all took place in the shadow of a death camp. It registered for me as quiet horror. No audible dialogue, just the establishment of an atmosphere that was down to earth while being obscene for someone who knew the secret of the setting. Throughout the movie, ordinary people did their jobs, followed orders, created innovative machines, even fought to remain in the penumbra of Auschwitz, with little reference to the people who suffered and died. In one scene, women quibbled over who would take what from a collection of garments confiscated from prisoners. I couldn’t help but see vultures picking over the flesh of dead animals. What gut-punched me the most was a scene, not from the 1940s, but a modern scene in which uniformed workers cleaned the floors of a what seemed to be a Holocaust Museum. Again, no dialogue, just people doing their jobs as if they either did not know or had become immune to the context. Encased in glass, a mountain of shoes stood in the background. Another quiet horror. I remember my shock and grief when I saw a similar display at the museum in Washington, D.C. It made visible and real the number of lives taken during the Holocaust. I often think of The Zone of Interest in a world at war in so many places. I must wonder if, because of our responsibility for mundane tasks and day to day survival, do we become immune to the quiet horror of man’s inhumanity to man? The Zone of Interest helps keep me from becoming so.
Eden Elieff says
The scene at the end with the workers cleaning the floor was Auschwitz, which is now a state museum. I was recently there. It’s another demonstration of the scrubbing away of the horror.